This unpublished portrait, likely painted in Lima in the early 18th century, depicts Fernando de la Fuente y Rojas, offering a valuable glimpse into viceregal society. Beyond capturing his likeness, the painting conveys the sitter’s social and political status through carefully arranged elements. His posture, attire, and symbols—such as the Order of Santiago medallion and baton of command—reflect established conventions of noble portraiture, emphasizing power, lineage, and authority. The work serves not only as an artistic achievement but also as a historical document that illustrates how individuals presented themselves within the hierarchical structure of the time.

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