In the late 17th century, the Viceroyalty of New Spain experienced a vibrant artistic period due to the Manila Galleon's trade, blending indigenous, European, and Oriental influences. This fusion led to the development of “enconchado,” a unique style using mother-of-pearl inlay. This technique combined European painting methods with Oriental nacreous decoration, creating a distinctive shimmer.

Enconchado works often included both secular and religious themes, like the unpublished depiction of the Assumption of the Virgin Mary. This painting exemplifies the genre with its detailed use of mother-of-pearl, creating a radiant effect. It depicts the Virgin Mary ascending to heaven, surrounded by angels, with Mary Magdalene and the apostles below, observing the empty tomb. The painting’s meticulous detail and use of color reflect Miguel González’s skill and adherence to artistic standards of the time. This piece is a testament to the global exchange of artistic styles and the intricate craftsmanship of New Spanish artists.