-
Nicolás Correa (Mexico, ca. 1665 – after 1696)The Birth of the VirginOil and mother-of-pearl on wooden panel
110×78 cm -
Nicolás Correa (Mexico, ca. 1665 – after 1696)Virgin of the ApocalypseOil and mother-of-pearl on wooden panel
110×78 cm -
Flight into EgyptUnidentified artist
Mexico, last quarter of the 17th century
Oil and mother-of-pearl on wooden panel
45×65 cm (framed)
30.5×37.5 cm (unframed) -
Adoration of the ShepherdsUnidentified artist
Mexico, last quarter of the 17th century
Oil and mother-of-pearl on wooden panel
45×65 cm (framed)
30.5×37.5 cm (unframed) -
Damián Muñoz (Chile, active towards the middle of 17th century)The Transverberation of Saint Teresa, 1633Oil on canvas
100×140 cm
-
Allegory of the Patronage of Our Lady of Guadalupe over New SpainAnonymous artist
Mexico, 1794
Oil on canvas
84.5×62 cm -
Assumption of the VirginLima (Peru), second half of the 17th century
Oil on canvas210×160 cm -
Assumption of the VirginAnonymous artist
Cuzco (Peru), late 17th century
Oil on canvas193.5×281 cm -
Holy Family / Double TrinityAnonymous artist
Cuzco (Peru), 18th century
Oil on canvas
187×216 cm -
The Virgin of Antigua, Peruvian Viceroyalty, 17th centuryOil on canvas238.5×114.2 cm
-
Anonymous artistInca Series: The Kings of Peru, Cuzco, ca. 1840/1850Oil on canvas60.3×41.8 cm each
-
Our Lady of the RosaryAnonymous artist
Cuzco (Peru), 18th century
Oil on canvas
129.5×159 cm -
The Child Mary SpinningAnonymous artist
Cuzco (Peru), early 18th century
Oil on canvas58.5×83 cm -
Nicolás Enríquez de Vargas (Mexico, 1704-1790)Our Lady of GuadalupeOil on copper85×67 cm
-
Anonymous ArtistOur Lady of CocharcasCuzco (Peru), 1761
Inscription: “Totapul cra es maria ed macula originalis no es ente Tugloria la mila grosa y mágen de nues senora de cocharcas año 1768”
Oil on canvas83×79 cm -
Miguel González (New Spain, late 17th century – early 18th century)Assumption of the Virgin MaryOil and mother-of-pearl on wooden panel
65×88.8 cm -
José Villegas (active in Mexico in the last quarter of the 18th century)The Beato Sebastián de Aparicio Taming the BeastsLast quarter of the 18th century
Oil on canvas
86×114 cm -
Leonardo Flores, 1650-1710?THE LAST JUDGEMENT, Audiencia Real of Charcas (Actual Bolivia), 17th centuryLeonardo Flores (1650-1710?)
Known as the Master of the School of El Collao
Audiencia Real of Charcas (Actual Bolivia)
17th centuryOil on canvas
208.5 x 153.7 cm -
Miguel González (Active in the 2nd half of the 17th century)The Apostle James the GreaterMexico, 17th century
Oil and mother-of-pearl on wooden panel
84×70 cm (framed)
56×40.6 cm (unframed) -
The Angel ZadkielUnidentified artist
Viceroyalty of Peru (Peru), 17th century
Oil on canvas
Inscription above his head “BENIGNITAS ET MANSVTVDODI”
Inscription of the plinth “ETENIM DOMN 9 DABIT BENIGNITATEM Y ET TERRA NOSTRA DABIT FRVCTUM SVUM PSA. 84”
199 x 110 cm -
Saint Gabriel the ArchangelUnidentified artist
Viceroyalty of Peru (Peru), 17th century
Oil on canvas
Inscription above his head “PAX ET A IVSTITIA DEI”
Inscription on the plinth “NOLO MORTE PECCATORIS SED VI MAGIS COVERTATVR ET VIVAT, EZEC, 33.”199 x 110 cm -
Miguel González and Juan GonzálezSaint Martin and the Beggar, 17th-18th centuryEnconchado, oil and mother of-pearl, inlay on panel.86 x 60 cm
-
Miguel González and Juan GonzálezSaint Joseph and the Child, 17th-18th centuryEnconchado, oil and mother of-pearl, inlay on panel.86 x 60 cm
-
Adoration of the MagiAnonymous artist, Cuzco School.
18th century
Oil on canvas162 x 112.5cm -
Jesus of NazarethUnidentified artist
Cuzco(Peru), c. 1720–1750
Oil on canvas
155 x 112 cm
-
WRITING CABINET WITH DROP-DOWN FRONT, Peru, 17th centuryWood, mother-of-pearl, tortoiseshell
Height 86
Width 74cm
Depth 41 cm
Depth when open 52 cm -
Table with “Enconchado” Inlay, Peru, 17th centuryWood, tortoiseshell and mother-of-pearl71 cm diameter, 72 cm high
-
SAINT BENEDICT OF PALERMO, Brazil, 18th centuryCarved polychrome wood
Sgraffito and “estofado” work
Cross and halo in hammered and incised silver36 x 20 cm -
JícaraAudiencia de Charcas (Bolivia), ca. 1770-1780
Carved calabash and moulded repoussé goldHeight 13.8 cm; maximum width 5.7 cm; weight 203g -
Circle of Basilio Santa Cruz PumacallaoImmaculate ConceptionCuzco (Peru), last third of the 17th century
Oil on canvas
183 x 138 cm
-
The Vision of Saint Simon StockCircle of Juan Rodríguez Juárez, Mexico, 1675–1728Mexico, 17th18th century
Oil on canvas
77 x 54 cm
-
Holy KinshipUnidentified artist
Cuzco School, 18th century
Oil on canvas
75.5 x 63 cm
-
Our Lady of GuadalupeUnidentified artist
Mexico, Late 17th century
Carved, gilt and polychromed wood, gilt bronze
Figure only 114 x 41 cm
Height with base 149 cm -
Pedro de MenaSaint Anne, Saint Joachim and the Child Virgin, Peru, 17th centuryHuamanga, Ayacucho.
Signed: Pedro D Mena.
Carved Huamanga stone, encaustic polychromy, gold leaf “estofado”
50 x 40 x 6 cm -
Our Lady of GuadalupeUnidentified artist
New Spain (Mexico), first half of the 18th century
Oil on canvas
192 x 129 cm
-
Francisco de Morales, Mexico, 17th-18th centuryOur Lady of Valvanera
c. 1700
Oil on canvas
Signed “D. Francisco de Morales fessi”
Inscription “Bolvio el rosto XP por no ver ū sacrile”
165 x 108 cm
-
Our Lady of Guadalupe of ExtremaduraUnidentified artist
Chairapata, Potosí (Bolivia), 1813
Oil on canvas
Inscription “Verdadero retrato de Nuestra Señora. de Guadalupe de Chairapata, a devoción de Su Párroco el D. D. Manuel de Lossada, y Amezaga Año de 1813.”
114 x 100 cm -
Saint Michael the ArchangelUnidentified artist
Queretaro (Mexico), Late 17th–early 18th century
Polychromed terracotta
37 x 17 x 14 cm -
Attributed to Marcos Zapata (Active 1748–1773)Our Lady of the Rosary with Saints in Heavenly GloryViceroyalty of Peru (Peru)
Oil on canvas
Inscription “A devocion del YLmo Señor Dr. Dn. Juan Manuel
Moscoco y Peralta, Natural de la Ciudad de Arequipa Dionissimo
Obispo de la Ciudad de Cordoba.”
83 x 63 cm -
Andrés de la Concha (Sevilla, c.1559 Oaxaca, Mexico, 1612)Saint Michael Archangel, ca. 1600Oil on canvas135 x 99 cm
-
Portable Altar with PaintingTriptych case
Unidentified artist
Japan, Momoyama Period (1572–1615), c. 1610
Painting
Unidentified artist
New Spain (Mexico), 17th century
Wood, lacquer, gold and silver dust, mother-of-pearl,
colored glass and gilt bronze mounts; oil on copper plate
Closed 50 x 34 cm
Opened 50 x 70 cm
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Our Lady of the Rosary of PomataUnidentified artist
Lake Titicaca workshop, c. 1730
Oil and gold on copper
23.9 x 18.4 cm -
Saint Thomas Aquinas & Saint Augustine of HippoUnidentified artist
Lake Titicaca workshop, c. 1730
Oil and gold on copper
Both 30 x 22 cm -
Our Lady of CopacabanaUnidentified artist
Lake Titicaca workshop, c. 1730
Oil and gold on copper
14 x 11 cm -
Jesus Nailed to the Cross & Simon of Cyrene Helping JesusUnidentified artist
Guatemala, 18th century
Oil on canvas
Both 48 x 40 cm -
Saint Michael the ArchangelUnknown artist
Ayacucho (Peru), 17th century
Carved Huamanga stone, encaustic polychrome, gold leaf estofado
64 x 36 cm
-
Divine ShepherdessUnidentified artist
Guatemala, late 18th–early 19th century
Carved and polychromed wood, estofado and gilt silver
28 x 28 x 14 cm -
Four Episodes of The Story of Saint Agnes of Rome, First half of the 18th centuryUnidentified artist
Cuzco (Peru), first half of the 18th century
Oil on canvas
42.2 x 31.4 cm each -
Calvary with Jesus Christ, Mater Dolorosa, Saint John and Mary Magdalene, 17th centurySpanish-Filipino
Polychrome IvoryChrist: 34 x 23 cm
Virgin: 20 x 6.5 cm
Magdalene: 20 x 7.5 cm
Saint John: 17 x 3.5 cm -
Indo-Portuguese Ivory Figure of Saint Sebastian, 17th centuryGoa (Indo-Portuguese )or Sri Lanka (Cingalo-Portuguese)
Ivory and silver arrows.Height: 27 cm -
A Carved Ivory Figure of the Crucified Christ, 17th centuryIndo Portuguese or hispano-philippine
IvoryHeight: 30 cm -
Virgin of Guadalupe, 17th centuryPhilippines
IvoryHeight: 30 cm -
JUAN JOSÉ ROSALES (Guatemala City, ca. 1751–1816)Portrait of Doña María Josefa Romana y Manrique, 1791Oil on canvas198 x 149 cm
-
Gaspar Miguel de Berrío (attrib.) (Puna, Upper Peru. ca. 1705 - ca. 1762)Our Lady of the RosaryOil on canvas90.5 x 67.5 cm
-
Our Lady of CopacabanaAnonymous artist
Titicaca, Peru
First half of the 18th century
Oil on canvas stuck to wooden panel36.5 x 30 cm -
Pair of ChairNew Spain (Mexico), 18th century
Carved mahogany, red damask, gold leaf decoration
Both 180 x 70 x 49 cm -
The Creation of the AnimalsCuzco, Peru, 18th century.
Oil on canvas
69.5 x 90.5 cm -
Basilio de Santa Cruz Pumacallao (Cuzco, 1635-1710, active 1661-1700)INVESTURE OF SAINT ILDELFONSUS BY THE VIRGIN MARY AND ANGELOil on canvas154 x 100 cm
-
Luis Berrueco (active 1717-1750)Our Lady of RefugeOil on canvas80 x 55 cm
-
Melchor Pérez de Holguín and workshop (Bolivia, 1660 – 1732)Saint John the EvangelistOil on canvas85.3 x 65 cm
-
Gabriel José Ovalle (follower of)ADVOCATIONS OF THE VIRGINDated “Año. de 1782”
Oil on canvas
48.8 x 65.7 cm
-
Pair of Frame, Last third of the 17th centuryViceroyalty of Peru, Cuzco.
Carved wood, gilt and polychrome, covered with gold leaf.198 x 108 x 22 cm
192 x 106 x 19 cm -
Chest with a Religious Scene and Landscapes, Late 17th century - Early 18th centuryCuzco School
Wooden chest with iron fittings, handles, and lock. Lid of the chest lined in studded leather.
24 cm x 88 cm x 52 cm [9.45 in x 34.65 in x 20.47 in] -
Writing Desk, ca. 1780Upper Peru
Cedar wood, painted in oil with purpurin gilding. Iron hinges, lock and key.56 x 64 x 34 cm -
Tibor with Two-Headed EagleMexico, Tonalá, 1710
Earthenware
Molded, shaped and burnished with slip (engobe); single firing. Polychrome wooden lid
88 x 66 cm -
Josef Villanueva (1797 - ?)Our Lady of Cortijo, 18th centuryOil on canvas
Inscription: R. de N Sa del Cortijo de la Villa de Soto de los Cameros Obpdo. de Calaorra Cop.de su original â devocion de Dn Antonio de Benito y Vallejo Natural de dicha Villa por Josef Villanueva â 16 de Enero de 173753 x 38 cm -
Travelling DeskAnonymous artist
Viceroyalty of New Granada, Audiencia of Quito (current Ecuador).
Polychrome wood, with metal lock.28 x 45 x 36 cm -
Trunk or Portable Writing Desk, 17th centuryVice-Regency of Peru.
Cedar and fruit tree wood.
Clasp and keyhole, handle and hinges made of hammered wrought iron.55 x 84 x 40 cm
86 x 84 x 71 cm (opened) -
Miguel de Santiago (ca. 1620-1706) attrib.The Holy Family with Saint John the Baptist and Saint Anthony the Abbot, 17th centuryOil on Copper36 x 26 cm
-
Luis Lagarto (1556-1620)Virgin Mary holding Divine Child, 17th centuryVellum paper, a term derived from the old French vélin, meaning ‘calfskin’ or ‘calf leather’,
is a type of parchment which is very useful for printing highly detailed images.27 x 20 cm
Including frame: 60 x 52 cm -
Luis Lagarto (1556-1620)Saint Jerome, Friar Fernando YáñezVellum paper, a term derived from the old French vélin, meaning ‘calfskin’ or ‘calf leather’, is a type of parchment which is very useful for printing highly detailed images.27.5 x 22 cm / each
-
Psalterium, 18th centuryCarved, gilded and poly-chrome wood.
-
González workshopEnconchado Jewelry Chest , Late 17th centuryViceroyalty of New Spain (Mexico)
Paintings: Oil and tempera on wooden panel, mother-of-pearl, gold and silver;
Box: Jacaranda and cedar wood, bone and iron100 x 40 x 30 cm -
Herb Box (Hierbera), circa 1770Bolivia, possibly Moxos of Chiquitos
Cast and chased wood and iron17.5 x 23 x 21.5 cm -
Armoire, circa 1750Lima, Peru.
Assembled and carved wood.Height: 271 cm
Width: 142 cm
Depth: 73 cm -
Oaxaca Box, circa 1700Oaxaca, Mexico.
Wood, iron lock.Height: 56 cm
Width: 94 cm
Depth: 40 cm -
Vice-regal Chest , circa 1600Oaxaca, Mexico.
Wood from Lemon, Granadillo and Lign-Aloes trees "Zulaque" vegetable dyes, iron metalwork.87.5 x 58 x 22 cm
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Coca Box (Coquera), 18th centuryBolivia
Wood and iron16 x 31 x 23 cm -
Franciscan Crown Rosary (The Seven Joys of the Virgin), 18th centuryVice-royalty of New Spain (Oaxaca, Mexico).
Gold, jet, and enamel. -
Saint Augustine, 18th centuryTiticaca School
Oil on copper25 x 20 cm
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