Viceregal Latin American Art

Nicolás Correa (Mexico, ca. 1665 – after 1696)

The Birth of the Virgin

Oil and mother-of-pearl on wooden panel

110×78 cm

Nicolás Correa (Mexico, ca. 1665 – after 1696)

Virgin of the Apocalypse

Oil and mother-of-pearl on wooden panel

110×78 cm

Flight into Egypt

Unidentified artist
Mexico, last quarter of the 17th century
Oil and mother-of-pearl on wooden panel

45×65 cm (framed)
30.5×37.5 cm (unframed)

Adoration of the Shepherds

Unidentified artist
Mexico, last quarter of the 17th century
Oil and mother-of-pearl on wooden panel

45×65 cm (framed)
30.5×37.5 cm (unframed)

Damián Muñoz (Chile, active towards the middle of 17th century)

The Transverberation of Saint Teresa, 1633

Oil on canvas

100×140 cm

Allegory of the Patronage of Our Lady of Guadalupe over New Spain

Anonymous artist
Mexico, 1794
Oil on canvas

84.5×62 cm

Assumption of the Virgin

Lima (Peru), second half of the 17th century
Oil on canvas

210×160 cm

Assumption of the Virgin

Anonymous artist
Cuzco (Peru), late 17th century
Oil on canvas

193.5×281 cm

Holy Family / Double Trinity

Anonymous artist
Cuzco (Peru), 18th century
Oil on canvas

187×216 cm

The Virgin of Antigua, Peruvian Viceroyalty, 17th century

Oil on canvas

238.5×114.2 cm

Anonymous artist

Inca Series: The Kings of Peru, Cuzco, ca. 1840/1850

Oil on canvas

60.3×41.8 cm each

Our Lady of the Rosary

Anonymous artist
Cuzco (Peru), 18th century
Oil on canvas

129.5×159 cm

The Child Mary Spinning

Anonymous artist
Cuzco (Peru), early 18th century
Oil on canvas

58.5×83 cm

Nicolás Enríquez de Vargas (Mexico, 1704-1790)

Our Lady of Guadalupe

Oil on copper

85×67 cm

Anonymous Artist

Our Lady of Cocharcas

Cuzco (Peru), 1761
Inscription: “Totapul cra es maria ed macula originalis no es ente Tugloria la mila grosa y mágen de nues senora de cocharcas año 1768”
Oil on canvas

83×79 cm

Miguel González (New Spain, late 17th century – early 18th century)

Assumption of the Virgin Mary

Oil and mother-of-pearl on wooden panel

65×88.8 cm

José Villegas (active in Mexico in the last quarter of the 18th century)

The Beato Sebastián de Aparicio Taming the Beasts

Last quarter of the 18th century
Oil on canvas

86×114 cm

Leonardo Flores, 1650-1710?

THE LAST JUDGEMENT, Audiencia Real of Charcas (Actual Bolivia), 17th century

Leonardo Flores (1650-1710?)
Known as the Master of the School of El Collao
Audiencia Real of Charcas (Actual Bolivia)
17th century

Oil on canvas
208.5 x 153.7 cm

Miguel González (Active in the 2nd half of the 17th century)

The Apostle James the Greater

Mexico, 17th century
Oil and mother-of-pearl on wooden panel

84×70 cm (framed)
56×40.6 cm (unframed)

The Angel Zadkiel

Unidentified artist
Viceroyalty of Peru (Peru), 17th century
Oil on canvas
Inscription above his head “BENIGNITAS ET MANSVTVDODI”
Inscription of the plinth “ETENIM DOMN 9 DABIT BENIGNITATEM Y ET TERRA NOSTRA DABIT FRVCTUM SVUM PSA. 84”

199 x 110 cm

Saint Gabriel the Archangel

Unidentified artist
Viceroyalty of Peru (Peru), 17th century
Oil on canvas
Inscription above his head “PAX ET A IVSTITIA DEI”
Inscription on the plinth “NOLO MORTE PECCATORIS SED VI MAGIS COVERTATVR ET VIVAT, EZEC, 33.”

199 x 110 cm

Miguel González and Juan González

Saint Martin and the Beggar, 17th-18th century

Enconchado, oil and mother of-pearl, inlay on panel.

86 x 60 cm

Miguel González and Juan González

Saint Joseph and the Child, 17th-18th century

Enconchado, oil and mother of-pearl, inlay on panel.

86 x 60 cm

Adoration of the Magi

Anonymous artist, Cuzco School.
18th century
Oil on canvas

162 x 112.5cm

Jesus of Nazareth

Unidentified artist
Cuzco(Peru), c. 1720–1750
Oil on canvas

155 x 112 cm

WRITING CABINET WITH DROP-DOWN FRONT, Peru, 17th century

Wood, mother-of-pearl, tortoiseshell

Height 86
Width 74cm
Depth 41 cm
Depth when open 52 cm

Table with “Enconchado” Inlay, Peru, 17th century

Wood, tortoiseshell and mother-of-pearl

71 cm diameter, 72 cm high

SAINT BENEDICT OF PALERMO, Brazil, 18th century

Carved polychrome wood
Sgraffito and “estofado” work
Cross and halo in hammered and incised silver

36 x 20 cm

Jícara

Audiencia de Charcas (Bolivia), ca. 1770-1780
Carved calabash and moulded repoussé gold

Height 13.8 cm; maximum width 5.7 cm; weight 203g

Circle of Basilio Santa Cruz Pumacallao

Immaculate Conception

Cuzco (Peru), last third of the 17th century
Oil on canvas

183 x 138 cm

The Vision of Saint Simon Stock

Circle of Juan Rodríguez Juárez, Mexico, 1675–1728

Mexico, 17th18th century
Oil on canvas

77 x 54 cm

Holy Kinship

Unidentified artist
Cuzco School, 18th century
Oil on canvas

75.5 x 63 cm

Our Lady of Guadalupe

Unidentified artist
Mexico, Late 17th century
Carved, gilt and polychromed wood, gilt bronze

Figure only 114 x 41 cm
Height with base 149 cm

Pedro de Mena

Saint Anne, Saint Joachim and the Child Virgin, Peru, 17th century

Huamanga, Ayacucho.
Signed: Pedro D Mena.
Carved Huamanga stone, encaustic polychromy, gold leaf “estofado”

50 x 40 x 6 cm

Our Lady of Guadalupe

Unidentified artist
New Spain (Mexico), first half of the 18th century
Oil on canvas

192 x 129 cm

Francisco de Morales, Mexico, 17th-18th century

Our Lady of Valvanera
c. 1700
Oil on canvas
Signed “D. Francisco de Morales fessi”
Inscription “Bolvio el rosto XP por no ver ū sacrile”

165 x 108 cm

Our Lady of Guadalupe of Extremadura

Unidentified artist
Chairapata, Potosí (Bolivia), 1813
Oil on canvas
Inscription “Verdadero retrato de Nuestra Señora. de Guadalupe de Chairapata, a devoción de Su Párroco el D. D. Manuel de Lossada, y Amezaga Año de 1813.”

114 x 100 cm

Saint Michael the Archangel

Unidentified artist
Queretaro (Mexico), Late 17th–early 18th century
Polychromed terracotta

37 x 17 x 14 cm

Attributed to Marcos Zapata (Active 1748–1773)

Our Lady of the Rosary with Saints in Heavenly Glory

Viceroyalty of Peru (Peru)
Oil on canvas
Inscription “A devocion del YLmo Señor Dr. Dn. Juan Manuel
Moscoco y Peralta, Natural de la Ciudad de Arequipa Dionissimo
Obispo de la Ciudad de Cordoba.”

83 x 63 cm

Andrés de la Concha (Sevilla, c.1559 Oaxaca, Mexico, 1612)

Saint Michael Archangel, ca. 1600

Oil on canvas

135 x 99 cm

Portable Altar with Painting

Triptych case
Unidentified artist
Japan, Momoyama Period (1572–1615), c. 1610

Painting
Unidentified artist
New Spain (Mexico), 17th century
Wood, lacquer, gold and silver dust, mother-of-pearl,
colored glass and gilt bronze mounts; oil on copper plate

Closed 50 x 34 cm
Opened 50 x 70 cm

Our Lady of the Rosary of Pomata

Unidentified artist
Lake Titicaca workshop, c. 1730
Oil and gold on copper

23.9 x 18.4 cm

Saint Thomas Aquinas & Saint Augustine of Hippo

Unidentified artist
Lake Titicaca workshop, c. 1730
Oil and gold on copper

Both 30 x 22 cm

Our Lady of Copacabana

Unidentified artist
Lake Titicaca workshop, c. 1730
Oil and gold on copper

14 x 11 cm

Jesus Nailed to the Cross & Simon of Cyrene Helping Jesus

Unidentified artist
Guatemala, 18th century
Oil on canvas

Both 48 x 40 cm

Saint Michael the Archangel

Unknown artist
Ayacucho (Peru), 17th century
Carved Huamanga stone, encaustic polychrome, gold leaf estofado

64 x 36 cm

Divine Shepherdess

Unidentified artist
Guatemala, late 18th–early 19th century
Carved and polychromed wood, estofado and gilt silver

28 x 28 x 14 cm

Four Episodes of The Story of Saint Agnes of Rome, First half of the 18th century

Unidentified artist
Cuzco (Peru), first half of the 18th century
Oil on canvas

42.2 x 31.4 cm each

Calvary with Jesus Christ, Mater Dolorosa, Saint John and Mary Magdalene, 17th century

Spanish-Filipino
Polychrome Ivory

Christ: 34 x 23 cm
Virgin: 20 x 6.5 cm
Magdalene: 20 x 7.5 cm
Saint John: 17 x 3.5 cm

Indo-Portuguese Ivory Figure of Saint Sebastian, 17th century

Goa (Indo-Portuguese )or Sri Lanka (Cingalo-Portuguese)
Ivory and silver arrows.

Height: 27 cm

A Carved Ivory Figure of the Crucified Christ, 17th century

Indo Portuguese or hispano-philippine
Ivory

Height: 30 cm

Virgin of Guadalupe, 17th century

Philippines
Ivory

Height: 30 cm

JUAN JOSÉ ROSALES (Guatemala City, ca. 1751–1816)

Portrait of Doña María Josefa Romana y Manrique, 1791

Oil on canvas

198 x 149 cm

Gaspar Miguel de Berrío (attrib.) (Puna, Upper Peru. ca. 1705 - ca. 1762)

Our Lady of the Rosary

Oil on canvas

90.5 x 67.5 cm

Our Lady of Copacabana

Anonymous artist
Titicaca, Peru
First half of the 18th century
Oil on canvas stuck to wooden panel

36.5 x 30 cm

Pair of Chair

New Spain (Mexico), 18th century
Carved mahogany, red damask, gold leaf decoration

Both 180 x 70 x 49 cm

The Creation of the Animals

Cuzco, Peru, 18th century.
Oil on canvas

69.5 x 90.5 cm

Basilio de Santa Cruz Pumacallao (Cuzco, 1635-1710, active 1661-1700)

INVESTURE OF SAINT ILDELFONSUS BY THE VIRGIN MARY AND ANGEL

Oil on canvas

154 x 100 cm

Luis Berrueco (active 1717-1750)

Our Lady of Refuge

Oil on canvas

80 x 55 cm

Melchor Pérez de Holguín and workshop (Bolivia, 1660 – 1732)

Saint John the Evangelist

Oil on canvas

85.3 x 65 cm

Gabriel José Ovalle (follower of)

ADVOCATIONS OF THE VIRGIN

Dated “Año. de 1782”
Oil on canvas

48.8 x 65.7 cm

Pair of Frame, Last third of the 17th century

Viceroyalty of Peru, Cuzco.
Carved wood, gilt and polychrome, covered with gold leaf.

198 x 108 x 22 cm
192 x 106 x 19 cm

Chest with a Religious Scene and Landscapes, Late 17th century - Early 18th century

Cuzco School
Wooden chest with iron fittings, handles, and lock. Lid of the chest lined in studded leather.

24 cm x 88 cm x 52 cm [9.45 in x 34.65 in x 20.47 in]

Writing Desk, ca. 1780

Upper Peru
Cedar wood, painted in oil with purpurin gilding. Iron hinges, lock and key.

56 x 64 x 34 cm

Tibor with Two-Headed Eagle

Mexico, Tonalá, 1710
Earthenware
Molded, shaped and burnished with slip (engobe); single firing. Polychrome wooden lid

88 x 66 cm

Josef Villanueva (1797 - ?)

Our Lady of Cortijo, 18th century

Oil on canvas
Inscription: R. de N Sa del Cortijo de la Villa de Soto de los Cameros Obpdo. de Calaorra Cop.de su original â devocion de Dn Antonio de Benito y Vallejo Natural de dicha Villa por Josef Villanueva â 16 de Enero de 1737

53 x 38 cm

Travelling Desk

Anonymous artist
Viceroyalty of New Granada, Audiencia of Quito (current Ecuador).
Polychrome wood, with metal lock.

28 x 45 x 36 cm

Trunk or Portable Writing Desk, 17th century

Vice-Regency of Peru.
Cedar and fruit tree wood.
Clasp and keyhole, handle and hinges made of hammered wrought iron.

55 x 84 x 40 cm
86 x 84 x 71 cm (opened)

Miguel de Santiago (ca. 1620-1706) attrib.

The Holy Family with Saint John the Baptist and Saint Anthony the Abbot, 17th century

Oil on Copper

36 x 26 cm

Luis Lagarto (1556-1620)

Virgin Mary holding Divine Child, 17th century

Vellum paper, a term derived from the old French vélin, meaning ‘calfskin’ or ‘calf leather’,
is a type of parchment which is very useful for printing highly detailed images.

27 x 20 cm
Including frame: 60 x 52 cm

Luis Lagarto (1556-1620)

Saint Jerome, Friar Fernando Yáñez

Vellum paper, a term derived from the old French vélin, meaning ‘calfskin’ or ‘calf leather’, is a type of parchment which is very useful for printing highly detailed images.

27.5 x 22 cm / each

Psalterium, 18th century

Carved, gilded and poly-chrome wood.

González workshop

Enconchado Jewelry Chest , Late 17th century

Viceroyalty of New Spain (Mexico)
Paintings: Oil and tempera on wooden panel, mother-of-pearl, gold and silver;
Box: Jacaranda and cedar wood, bone and iron

100 x 40 x 30 cm